Documentary - For No Good Reason

For No Good Reason

The Terry Gilliam film Fear and Loathing in Las Vegas is getting a 4k limited edition blu-ray re-release on Monday. Disk 1 has the film itself and Disk 2 contains this documentary on the work of artist Ralph Steadman. Here's a reminder of Susan Omand's thoughts...

Read Steve's review of Fear and Loathing in Las Vegas here

When I heard that there was a documentary about Ralph Steadman, yes, I was interested. By the end of that documentary I was wrung out, in tears, inspired and ready to take on the world.

Let me explain. Ralph Steadman is an artist. THE artist. The one that did the drawings for Hunter S Thomson. OK that’s enough explanation because, if you don’t know who Hunter S Thomson is, there is no hope.

Anyway, back to the documentary. Right from the start as the credits started rolling and I saw they had used that instantly recognisable font I knew I was in for something special. Then the names started to appear over a panorama of art, film and studio related close-ups…. “featuring Ralph Steadman, Johnny Depp” (oh hell yes) “Richard E Grant, Terry Gilliam, Hunter S Thomson, Jann Wenner (founder of Rolling Stone magazine) William S Burroughs and the voice of Leonardo da Vinci…” wait…what? If you’re going to list the rock and roll of cool, that’s pretty much it right there. By now I was more than interested.

Johnny Depp, who has played Hunter S Thomson and knows Steadman, acted as interviewer but, as you might expect, this was no ordinary interview. Mixing vintage footage, new handheld POV film and scenes of the artist at work now in his studio (now being 2012) we get the full story of gonzo journalism, from Steadman’s first meeting with Hunter S Thomson at the Kentucky Derby in 1970 to that fateful day when Thomson took his own life and, as Steadman puts it “took away the raison d’ĂȘtre”. We hear about that first meeting, the week-long binge, the instant chemistry that meant the birth of a type of journalism that had never been seen before – as Steadman says in the documentary, he saw in pictures what Hunter S Thomson saw in words. We find out about Steadman being sent a manuscript out of the blue and asked to do a dozen drawings for the book… Fear and Loathing in Las Vegas. Yes, that book.

We get all the stories first hand – like the time they went to cover the Rumble in the Jungle and Thomson sold the tickets, bought a huge bag of grass and went swimming, so Steadman watched it at the bar and did the pictures anyway or the time they went to the Americas Cup and found out it was cancelled because of the weather, so Steadman wanted to spray-paint F*** the Pope on the side of a boat and Thomson set off a flare in the harbour, causing mayhem and much damage… the rock and roll lifestyle that happens when two people who want to push the boundaries get together. Because that’s what they did. Steadman maybe even more so than Thomson, because his wasn’t drug fuelled, it was experimentation for the sake of it. The freedom that Thomson gave to Steadman, or more appropriately, the freedoms Steadman took from Thomson’s writing gave him an edge that was missing from his previous cartoons when he did freelance work for the likes of the Telegraph.

But the documentary was about more than this seminal partnership. Intercut with the brilliant vintage footage, we get to see the artist at work, creating paintings on cartridge paper with Indian ink right there in his studio. A few flicks and splashes, manual airbrush, scraping back gesso, this is a man who can paint. This is not accident. This is technical genius. This man is an artist. As he says “If I know what’s going to happen before I start, then what’s the point of trying”. He quotes Picasso as one of his biggest influences, which I can understand, but also makes mention of Rembrandt as being the most “enigmatic and enquiring”, referring to the hundreds of self portraits Rembrandt did as a way for Rembrandt to document himself grow older. That was a revelation because I hadn’t considered that aspect before. Steadman even wrote a book from the personal viewpoint of Leonardo da Vinci because he felt then that the “experts” couldn’t question it.

Steadman is a man, an artist that learned to draw so that he could use it as a weapon against authority. He used his art as an object of protest. He set out to BE special, to do something special, to change the world. If you have any interest at all in art, in journalism, in doing the most you can with your life and being all that you want to be, you need to watch this documentary. If you have no interest in any of that, watch it anyway… For No Good Reason.

Image - IMDb.


  • Two-disc edition featuring Fear And Loathing in Las Vegas in a new 4K restoration, and the documentary For No Good Reason about illustrator Ralph Steadman, featuring Terry Gilliam and Johnny Depp
  • Limited edition packaging featuring iconic original art by Ralph Steadman
  • Limited edition hardbound book featuring new writing by Roger Keen, an essay on Thompson on Film by Dr. William Stephenson, a 1999 interview with Terry Gilliam by Ian Christie and original production notes
  • Six collectors postcards
  • Double-sided fold-out poster of the original theatrical one-sheet and a sketch by Terry Gilliam

  • Brand new 4K restoration by Arrow Films from the original negative supervised by Terry Gilliam
  • High Definition Blu-rayTM (1080p) presentation
  • Original 5.1 & 2.0 DTS-HD Master Audio
  • Optional subtitles for the deaf and hard of hearing
  • New commentary by Terry Gilliam, moderated by Phil Stubbs
  • Savage: Finding The American Nightmare, a newly filmed appreciation by film historian Ian Christie
  • The Gonzo Papers, a newly filmed interview with producer Laila Nabulsi
  • Grim Memories and Bad Flashbacks, an all-new interview with star Benicio del Toro
  • Ignore This Terrible Drug: The Art and Style of Fear and Loathing in Las Vegas, an all-new featurette including interviews with cinematographer Nicola Pecorini, production designer Alex McDowall, costume designer Julie Weiss and editor Lesley Walker
  • Buy The Ticket, Take The Ride: Hunter S. Thompson on Film, a 2006 documentary on the author featuring Depp, del Toro, Gary Busey, Harry Dean Stanton, Bill Murray, Sean Penn, John Cusack and others
  • Hunter Goes To Hollywood, archive footage of the author filming his cameo in the film
  • Four deleted scenes with new optional commentary by Gilliam, including the excised prologue A Dress Pattern
  • Spotlight on Location, an original promotional featurette featuring interviews with Gilliam, Depp and del Toro
  • Behind the scenes B-roll footage and additional EPK interviews with Gilliam, Depp and del Toro
  • Theatrical trailers and TV spots
  • Extensive image galleries, including original production designs, storyboards and production stills


  • High Definition Blu-rayTM (1080p) presentation
  • 5.1 & 2.0 DTS-HD Master Audio
  • Optional subtitles for the deaf and hard of hearing
  • Short film Cherrywood Cannon
  • Ralph s Art
  • Extended interviews with Terry Gilliam, Bruce Robinson and Richard E. Grant
  • Deleted Scenes
  • Trailer & Teasers
  • Image Galleries

Powered by Blogger.