The Time of the Doctor sees an end to the Matt Smith era of Doctor Who. In my 'umble opinion he's been a fine Doctor. He's up there with Tom Baker and Pat Troughton as one of my favourite actors to have played the part.
The problem is it isn't the best of stories. The Moff has too many threads to tie up to which he has added a final problem: how is the Doctor's final regeneration not going to be the Doctor's final regeneration. The Moff's painted himself into this corner because he decided that Tennant got two and created the War Doctor.
The problem is that The Moff throws everything into this story including a kitchen sink and a turkey. We find out who blew up the TARDIS, what the Silence were up to and our friendly neighbourhood crack in the Universe pops up for a final bow. It turns out that the crack is now Gallifrey calling. They're asking the question that we have been pinging backwards and forwards for a while now and that seems to be a particular Moff fascination: Doctor Who? Pfft.
Then there's the usual 'every villain in Doctor Who history' is hovering above a planet. There's Cybermen who are being as rubbish as usual even though the wooden one is quite cool - if pointless. There's a couple of comedy Sontarans, which reminds me once more that The Moff has forgotten that Sontarans aren't supposed to be jokes. There's throwaway mentions of other species. And then there's the Daleks. Again.
Fundamentally the problem with this episode is that it isn't a proper farewell to Matt Smith more a Moff greatest hits. In a way it does Matt Smith a disservice. There's a few moments that shine: the scenes with Barnable (Jack Hollington), the end of Handles, the final reunion with Clara and the moments before the regeneration. The moment he drops the bow tie did genuinely bring a tear to my eye. But perhaps I'm going soft in my old age.
There's too much going on. Take a deep breath Mr. Moff and drop a couple of tricks. Do we need to throw another feisty mysterious psychotic female into the Whoniverse? This is Tasha Lem* (Orla Brady) who is apparently head of the papal mainframe. Now Orla Brady does a great job with the part and the 'I died screaming your name' moment is genuinely dark. But these kind of women are becoming a Moff cliche. I suppose River Song wasn't available. And I say that as someone who actually likes River Song.
It's not meant to be about the writer showing off his cliches and tricks this stuff it's supposed to be a farewell to Matt Smith and it just doesn't work for me. The first time I watched it I actually got quite annoyed about the whole thing because it doesn't do Matt Smith justice. This time round I was less annoyed just because I let it flow over me. I tutted at certain points. The naked stuff still doesn't work for me. It's gratuitously silly as opposed to gloriously silly - which is how I describe Season 17 btw.
I've no complaints about any of the performances. Jenna Coleman does a wonderful job, especially as she has to spend a lot of this story being sad. Can we have a bit of happy Clara in the new series please, although I'm not going to hold my breath. Matt Smith does what he's done throughout his time in the series and that's raise the quality of a story through his brilliance. So whatever my rants about this episode are I'll never forget when the Doctor was him. *Sniff*
Next up Peter Capaldi.
And yes I am excited.
*There is still some possible mystery about the identity of Tasha Lem and her relationship with the Doctor, which the Moff might come back to. Or not. I suppose we don't need ever loose end tied up do we.
Tony Cross is the creator of the wonderful Centurion Blog's found HERE and HERE.
Image – BBC.